What you bring
A finished manuscript, or one close to finished. If it still needs writing, that is a different stage and we cover it under book writing services.
A finished manuscript is not a finished book. Between the two sit editing, interior layout, a cover that competes on a shelf, an ISBN, retailer metadata, pricing and distribution. Splintify provides book publishing services for authors who want all of it handled, and if you have been looking for help publishing a book without signing your rights away, this is that.
Book publishing services, sometimes called publishing services for authors, are the professional services that take a completed manuscript and turn it into a book available for readers to buy. That usually covers editing, interior formatting and typesetting, cover design, ISBN assignment, metadata and category selection, print and ebook file production, retailer account setup, pricing and royalty configuration, and distribution to online and physical channels. A full service book publishing company or book publishing agency manages the entire chain on the author's behalf while the author keeps ownership of the work. Author publishing services differ from a traditional publisher in one decisive way: you are the client, not the acquisition.
A finished manuscript, or one close to finished. If it still needs writing, that is a different stage and we cover it under book writing services.
Print interiors, ebook files, a cover designed for its genre, an ISBN, and the metadata that decides whether anyone ever finds the book in a search. The same book publisher services a professional book publisher would run in-house.
A book listed for sale, in the formats you chose, through the channels you chose, with royalties paid to your account and rights held in your name.
This is the decision most authors get wrong, usually because nobody explained the trade-offs before asking for money. Here they are plainly.
A publisher acquires your book, pays for production, and sells it through their own channels.
You own and fund the book. Professionals produce it to the standard a publisher would. This is what we do.
A publisher-branded imprint that charges the author a fee and shares royalties.
Our honest position: if a traditional deal is realistic for your book and you are willing to wait, pursue it first. We will tell you if we think that is your better route. For most nonfiction authors, business books, memoirs and niche titles, professionally produced self-publishing gets the book to readers faster, keeps the rights with you, and returns more per copy sold.
Not every book needs every item. Scope is agreed and written down before anything starts, so you are never billed for a stage your book did not require.
Developmental notes where the structure needs it, then line editing, copy editing and a final proofread. A book that reaches readers with typos loses reviews it cannot get back.
Typesetting for print and reflowable ebook files. Margins, running heads, chapter openers, widow and orphan control, and the trim size your genre expects.
Front, spine and back for print, plus the ebook thumbnail. Designed against the actual bestsellers in your category and tested at the size a browsing reader really sees.
ISBN assignment for each format and edition, barcode generation, and imprint setup if you want the book published under your own publishing name rather than a platform's.
Title fields, subtitle, description, keywords, BISAC categories and comparable titles. This is the difference between a book that appears in searches and one that exists but is never found.
Accounts configured, files uploaded, proofs reviewed, and listings checked before they go live. Publishing accounts stay in your name so you keep control and direct payment.
Retail price set against your production costs, category norms and margin per copy, then royalty options configured so you understand exactly what each sale returns.
Print-on-demand and ebook distribution to major online retailers, plus library and bookstore channels where your book and budget justify wider reach.
You approve each stage before the next one begins. Nothing goes live until you have seen it and signed it off.
We read what you have and tell you honestly what it needs before publication: structural work, a full edit, or simply a proofread. You get that assessment whether or not you go ahead.
You receive: a written assessment and recommended scopeEditing, then interior formatting and cover design running together. You review the cover concepts and a formatted sample chapter before the full book is typeset.
You receive: approved cover and interior proofISBNs assigned, metadata and categories written, retail price set, royalty options configured, and accounts established in your name so payments come to you directly.
You receive: ISBNs, listing copy and pricing for approvalFiles uploaded to your chosen channels, physical and digital proofs checked, and listings verified once live. Print-on-demand means no inventory and no storage cost to you.
You receive: a book available to buy, in every format chosenLaunch timing, review copies, author page setup and the first weeks of listing management, when early reviews and category ranking matter most.
You receive: a launch plan and live listings you controlNeed book publishing help, or unsure which stage your manuscript is ready for?
Get Publishing Help
The default format for most books, produced print-on-demand so a copy is printed when someone orders one. No inventory, no storage, no risk of unsold stock.
Worth producing for gift books, business books used as calling cards, and any title where physical presence matters. Higher unit cost, higher perceived value.
Reflowable files that adapt to any screen and reading setting. Usually the highest-margin format and often the first version readers try.
The fastest-growing format in publishing, and the most involved to produce. Narration, direction and mastering, with a decision to make about whether you narrate it yourself.
A quiet opportunity most authors skip. Cheap to produce from files that already exist, and the format libraries buy most reliably.
Distribution determines who can buy your book and how easily. Print-on-demand and digital distribution place your title with major online retailers worldwide, while wider aggregated distribution extends it to library systems, wholesalers and bookstores that order through the trade. Which channels make sense depends on your book, your audience and your budget, and more channels is not automatically better.
The major ebook and print marketplaces, where most discovery and nearly all self-published sales happen. Non-negotiable for any book.
Library systems and academic buyers order through specific wholesale channels. Slower, steadier, and often overlooked by authors focused only on retail.
Physical shelf space is possible but not automatic. It depends on trade discount, returnability and a bookseller choosing to stock you. We will explain what that realistically takes.
When you publish through Splintify, you retain copyright and full rights to your book, the publishing accounts are established in your name, and retailer royalties are paid directly to you rather than passing through us. We are paid for the production work, once. We do not take a share of your sales, and we do not hold any rights to the work.
These are the questions that separate a publishing services provider from a company that quietly becomes your publisher. Ask them of us too.
A finished manuscript and no idea what happens next. The most common conversation we have.
A book that works as credibility, a lead generator and something to hand across a table.
A story that matters to a defined group of people, and needs to exist as a real book.
Books already produced elsewhere, being republished properly with rights recovered.
Multiple titles needing consistent design, coordinated metadata and a linked catalogue.
A conference, a launch, an anniversary. Publishing dates that cannot move. We work as a book publishing company USA-wide, so location is not a constraint.
The honest answer on book publishing pricing is that the cost of publishing a book varies more than most services, because two manuscripts of identical length can need entirely different work. Below is what actually moves book publishing services cost up or down.
Book publishing cost depends on how much production your manuscript actually needs, not on fixed book publishing packages priced before anyone has read a page. A clean manuscript needing a proofread, a cover and ebook and paperback setup sits at one end. A long book requiring structural editing, illustration, hardback and audiobook production sits at the other. We quote per project after reading the manuscript, and the quote itemises every stage so you can remove anything you do not want.
One warning worth giving. Be cautious of any book publishing company quoting a large five-figure package before reading your manuscript, and of anyone who cannot itemise what the fee buys. A publishing quote should read like a builder's estimate, with every line priced and removable.
Send us the manuscript and we will tell you what publishing it would actually take.
Get a Publishing QuotePlenty of firms sell book publishing solutions. Fewer will tell you which parts your book does not need. Our book publishing professionals work to a scope you approved and a quote you can cut lines from.
Publishing attracts more overpromising than almost any service industry, because the author usually cannot verify a claim until the money is spent. Ask every provider you speak to for the same list, in writing.
If the manuscript is not finished, that comes first. Our book writing services cover development, ghostwriting and manuscript completion.
Developmental, line and copy editing as a standalone service for authors who only need the manuscript strengthened.
Interior typesetting for print and ebook, for authors handling the rest of publication themselves.
Cover design alone, for authors who have production covered but need the one element that decides whether a browser stops.
Reaching readers once the book exists. Best planned before launch rather than after, when the listing is already live and quiet.
Professional writing under your name, for authors with the material and the story but not the months to write it.
Book publishing services take a completed manuscript and turn it into a book readers can buy. That covers editing, interior formatting, cover design, ISBN assignment, metadata and categories, print and ebook file production, retailer setup, pricing and royalty configuration, and distribution. A full service book publishing company manages the whole chain while the author keeps ownership of the work.
There are three routes. Traditional publishing means finding an agent and a publisher who fund production in exchange for rights and most of the revenue. Self-publishing means you fund production, keep the rights and take the larger royalty. Hybrid publishing sits between the two, charging a fee and sharing royalties. Which suits you depends on your book, your timeline and how much control you want to keep.
Cost tracks what your manuscript actually needs. A clean manuscript needing a proofread, a cover, and ebook plus paperback setup costs considerably less than a long book requiring structural editing, illustration, hardback and audiobook production. We quote per project after reading the manuscript, and every stage is itemised so you can remove what you do not want. We avoid fixed book publishing packages for that reason: they charge some authors for work their book never needed.
Professionally produced self-publishing typically runs from a few weeks to a few months, depending mostly on how much editing the manuscript needs. Traditional publishing usually takes eighteen months to two years after a deal is signed, and that is after however long it takes to find an agent and sell the book.
Yes. You retain copyright and all publishing rights, the accounts are established in your name, and royalties are paid directly to you. We are paid once for the production work and take no share of your sales. Ask any other publishing company the same question before signing, because the answer is not always the same.
You need an ISBN for each format and edition you sell through retailers. Platforms often offer a free one, but that ISBN lists the platform as publisher rather than you. Buying your own means the book is registered under your name or imprint and travels with you if you change retailer. We recommend owning them.
Yes, and that is the usual starting point. Send the manuscript and we will read it, assess how much production it needs, and quote for the stages that apply. If it needs more writing rather than publishing, we will tell you that instead of selling you a package.
It can be orderable by bookstores, which is not the same as being stocked on a shelf. Shelf space depends on the trade discount you set, whether you accept returns, and a bookseller choosing to carry the title. We will explain what wider distribution realistically achieves before you pay for it.
It depends on format, retail price, printing cost and which channel the sale comes through. Ebooks generally return the highest percentage, print returns less because of production cost, and wider distribution channels take a larger cut in exchange for reach. We model this for your specific book before setting the price, so you know the margin on every copy.
If you have a book with broad commercial appeal, time to spare, and the patience for submissions, trying traditional first costs you nothing but time. If your book serves a specific audience, supports a business, or has a deadline attached, self-publishing gets it to readers faster and returns more per copy. We will give you an honest read on which category your book falls into.
Launch support is part of publishing: timing, review copies, author page setup and the first weeks of listing management. Ongoing marketing is a separate discipline with its own budget, and it is worth planning before launch rather than after, when the listing is live and nothing is happening.
Usually, though it depends on your existing contract. Check whether rights have reverted to you, who owns the ISBN, and whether you can take the interior and cover files. If you are unclear on any of that, bring the contract to the first conversation and we will help you read it.
Send us the manuscript and what you want it to do. We will read it, tell you honestly what publishing it would involve, recommend the route that suits it, and quote every stage separately so you can decide what you actually need.
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